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威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century)  

2015-04-01 15:44:12|  分类: 美术绘画 |  标签: |举报 |字号 订阅

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威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮

 威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
威廉梅德卡夫美国插画家WILLIAM MEDCALF (American, 20th Century) - 文铮 - 柳州文铮
 
WILLIAM MEDCALF (American, 20th Century)
Pin-up and Glamour Art
威廉梅德卡夫美国插画家
一个迷人的女孩或迷人的模型是一个模型,其批量生产的照片上看到广泛的吸引力流行文化。引脚起坐是供非正式显示。迷人的女孩魅力模特,时装模特,和女演员。迷人的还可以参考图纸,绘画和仿真中的这些照片做插图等(见性感女郎艺术家的列表)。这个词最早是证明用英语在??1941年;然而,在实践中被证明至少可以追溯到19世纪90年代。销向上图像可以切出的杂志或报纸,或者是从明信片或光色石印,并依此类推。这些照片经常出现在日历,这是为了无论如何固定起来。后来,销式女孩海报是大规模生产的。许多针UPS是谁被认为是性的象征名人的照片。其中最流行的早期迷人的女孩是蓓蒂·葛莱宝。她的海报是无处不在的地理标志二战期间的储物柜。其他引脚起坐是艺术品,常常描绘的是什么有些人认为一个特别漂亮的或有吸引力的女人应该像理想化的版本。后一种类型的一个早期的例子是吉布森的女孩,由查尔斯·达纳·吉布森绘制。曲风也引起了一些知名艺术家专门领域,包括阿尔贝托·巴尔加斯和乔治·佩蒂和众多的小艺术家,如艺术弗拉姆。术语“芝士蛋糕”是同义的迷人的照片。这个意义上芝士蛋糕的最早记载打印用法是在1934年,早于迷人的,虽然轶事说这句话是在口语俚语大约20年前,最初是一语中的(说一个漂亮的女人)“比乳酪蛋糕更好。”在20世纪50年代,例如,有一本杂志叫芝士蛋糕,在1953年有一个年轻的玛丽莲·梦露的黄色比基尼封面上。
A pin-up girl or pin-up model is a model whose mass-produced pictures see wide appeal as pop culture. Pin-ups are intended for informal display. Pin-up girls are glamour models, fashion models, and actresses. Pin-up may also refer to drawings, paintings and other illustrations done in emulation of these photos (see the List of pinup artists). The term was first attested to in English in 1941; however the practice is documented back at least to the 1890s. The pin up images could be cut out of magazines or newspapers, or be from postcard or chromo-lithographs, and so on. Such photos often appear on calendars, which are meant to be pinned up anyway. Later, posters of pin-up girls were mass-produced. Many pin ups were photographs of celebrities who were considered sex symbols. One of the most popular early pin-up girls was Betty Grable. Her poster was ubiquitous in the lockers of G.I.s during World War II. Other pin-ups were artwork, often depicting idealized versions of what some thought a particularly beautiful or attractive woman should look like. An early example of the latter type was the Gibson girl, drawn by Charles Dana Gibson. The genre also gave rise to several well-known artists specializing in the field, including Alberto Vargas and George Petty, and numerous lesser artists such as Art Frahm. The term "cheesecake" is synonymous with pin-up photo. The earliest documented print usage of this sense of cheesecake is in 1934, predating pin-up, although anecdotes say the phrase was in spoken slang some 20 years earlier, originally in the phrase (said of a pretty woman) "better than cheesecake." In the 1950s, for example, there was a magazine called Cheesecake that had a young Marilyn Monroe in a yellow bikini on its cover in 1953.

pin-up girl or pin-up model is a model whose mass-produced pictures see wide appeal as pop culture. Pin-ups are intended for informal display. Pin-up girls are glamour models, fashion models, and actresses. Pin-up may also refer to drawings, paintings and other illustrations done in emulation of these photos (see the List of pinup artists). The term was first attested to in English in 1941; however the practice is documented back at least to the 1890s. The pin up images could be cut out of magazines or newspapers, or be from postcard or chromo-lithographs, and so on. Such photos often appear on calendars, which are meant to be pinned up anyway. Later, posters of pin-up girls were mass-produced. Many pin ups were photographs of celebrities who were considered sex symbols. One of the most popular early pin-up girls was Betty Grable. Her poster was ubiquitous in the lockers of G.I.s during World War II. Other pin-ups were artwork, often depicting idealized versions of what some thought a particularly beautiful or attractive woman should look like. An early example of the latter type was the Gibson girl, drawn by Charles Dana Gibson. The genre also gave rise to several well-known artists specializing in the field, including Alberto Vargas and George Petty, and numerous lesser artists such as Art Frahm. The term "cheesecake" is synonymous with pin-up photo. The earliest documented print usage of this sense of cheesecake is in 1934, predating pin-up, although anecdotes say the phrase was in spoken slang some 20 years earlier, originally in the phrase (said of a pretty woman) "better than cheesecake." In the 1950s, for example, there was a magazine called Cheesecake that had a young Marilyn Monroe in a yellow bikini on its cover in 1953.


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